Showing posts with label 6th Doctor. Show all posts
Showing posts with label 6th Doctor. Show all posts

Sunday, February 20, 2011

90. Year of the Pig.


2 episodes. Approx. 143 minutes. Written by: Matthew Sweet. Directed by: Gary Russell. Produced by: Gary Russell.


THE PLOT

The year is 1913. The brink of a world war - but no one knows that yet. It is still a time of leisure in Europe, as vacationers from various countries enjoy a pleasant seaside resort in Belgium. The Doctor and Peri are there for the same reason - a relaxing vacation, one that will allow the Doctor to finally catch up on his Proust.

Until Inspector Chardalot (Michael Keating) almost drowns in the water. The Doctor rescues him, pulling him to safety... and embroiling himself and Peri in mystery. It's clear very quickly that Chardalot is not all he seems. The inspector is hunting somebody. Perhaps the mysterious occupant of Suite 139? The energetic Miss Bultitude (Maureen O'Brien) is certainly stalking that suite, eager to meet its occupant: A distinguished gentleman of the stage, one with a rather porcine character.

His name is Toby. Toby the Sapient Pig (Paul Brooke). For his part, Toby is hiding, on the run from a man he is convinced wants him dead. A man he refers to as... "the Doctor!"


CHARACTERS

The Doctor: Colin Baker is wonderful here, his relaxed performance a prime example of why he so quickly became so very acclaimed as an audio Doctor. The script emphasizes the Doctor's compassionate side, from his patient and gentle interactions with Toby in Part One to the almost regretful way that he reveals the truth to the guest cast at the end of Part Two. Though I do think that much of what happened to Colin's television era was the fault of external forces, I also think that he would likely be better remembered had his television scripts focused more on this side of his Doctor.

Peri: Going from Timelash straight to this might give you whiplash! The Peri of this story is no damsel in distress, existing only to be menaced and leered at by the villains until the Doctor can rescue her. She is very much a partner to the Doctor, actively investigating the deceptions of Inspector Chardalot while maintaining a wary skepticism of all the guest characters. One imagines that this was more the characterization Nicola Bryant would have liked to have had in the mid-1980's, as opposed to being dragged around hallways wearing bondage collars.

The Pig: Paul Brooke is also very good, maintaining Toby's gentlemanly status at all times, even when standing over the unconscious bodies of the Doctor and Peri wondering if he should "eat the evidence." Brooke's proper English tones are perfect as Toby reminisces about his life on the stage while ordering incredible quantities of gourmet food. I also enjoyed his moments of moodiness, such as when he descends into a fit of pique after Miss Bultitude confesses to having bought a taxidermist's knockoff of him (offended as much at the low price of the knockoff as the taxidermy itself).


THOUGHTS

The Year of the Pig is a story that could be safely described as "not for all tastes." It wasn't even entirely suited to my tastes, on first listen in 2006. Though I initially enjoyed the quirkiness and the atmosphere, on that first listen my interest drifted as it went along. In the end, I felt it was too long, too slow, too silly.

Revisiting it six years later, I find my initial dismissal of it insupportable. This is no interesting effort that didn't quite come off. On the contrary, I think outgoing producer Gary Russell's valedictory serial is one of the jewels of his long era, full of wit and atmosphere and an oddball charm that makes it something to be savored.

Year of the Pig is a long story. It is not an exciting one. Incident is minimal, with the characters put in immediate danger exactly three times during the entire 140+ minutes of it. The vast bulk of the serial consists of people sitting in rooms, talking. Mostly talking around subjects, often talking about things half-remembered or remembered falsely. That is, when the characters aren't simply flat-out lying.

The unreliability of the characters is one of the story's cleverest conceits. Early in the story, Toby described memories of his childhood and his parents. At first, he seems to be describing particularly vivid memories. But when pressed for more details, he simply repeats the exact phrases he's said, only more emphatically - a clear signal that his memories are not real memories at all. When another character does something similar later in the story, it's a major clue to the audience as to the real situation behind the characters' beliefs about their situation.

Matthew Sweet's script makes wonderful use of language. There are many points in this story in which mental pictures are conjured - not of the direct characters and actions (which are, again, usually people sitting in rooms), but of the things they are discussing and describing. The dialogue is vivid, detailed, and wonderfully descriptive. A simple conversation will occasionally turn to a startlingly effective moment, whether it be Toby's chillingly accurate description of the hells of the Great War still on Europe's horizon or a detailed description of an illustration that ties together so many of the story's threads at the end.

Overall, on this listen I found Year of the Pig to be a lovely piece. It may appear light and fluffy at a glance, but there are layers of flavor beneath the surface. It's a meal that I think it best not to bolt in one go (probably my mistake on first listen). This is a dish best savored. Allow yourself pauses to absorb the atmosphere and reflect on the various tastes and textures. By spacing out the story over four sessions this time, I was able to appreciate each course as it came - and in the end, I found it an absolute delight.

While anything but a fast-paced adventure, and very far from a traditional Doctor Who romp, Year of the Pig is a story that audio Who is the richer for possessing. Far from the disappointment I first dismissed it as, I now think it's a fine curtain for the Gary Russell era of Big Finish Productions.


Rating: 9/10.

Previous Television Story: Timelash
Next Television Story: Revelation of the Daleks

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Sunday, January 2, 2011

48. Davros.


2 episodes. Approx. 150 minutes. Written by: Lance Parkin. Directed by: Gary Russell. Produced by: Gary Russell.


THE PLOT

Arnold Baynes (Bernard Horsfall), head of TransAllied, Inc. (TAI), has come into possession of a new asset: Davros (Terry Molloy), the long-reviled scientist responsible for the creation of the Daleks. Baynes believes that Davros' genius will give his company the spark it needs to expand outside our galaxy. His wife, historian and Dalek apologist Lorraine Baynes (Wendy Padbury), thirsts to interview Davros for a "definitive biography." Neither realizes just how dangerous their newest employee truly is.

The Doctor is at TAI on completely unrelated business. He is determined to look into the corporation in a smart, careful fashion. Then he sees Davros, and all thoughts of caution evaporate. He stalks into the company, demanding to know what Baynes thinks he's doing. Within minutes, he finds himself agreeing to work with Davros on TAI's projects - to keep himself in a position to thwart any plot Davros might hatch.

But the brilliant Kaled scientist is already several steps ahead of him...


CHARACTERS

The Doctor: You can hear the relish in Colin Baker's voice as he dives into this high-quality script. Writer Lance Parkin makes sure to emphasize the Doctor's compassion, his value for life. He agrees to continue working with Davros to cure the galaxy's famine problem, simply because he cannot turn his back on such a situation. You can hear the sincerity in his voice as he warns Baynes that Davros will destroy him. When Davros is subjecting innocents to high doses of radiation, the Doctor waits to stop him until after he acts to save those lives. And yet this is still the prickly Sixth Doctor, who can't resist baiting Davros with childish behavior or with remarks about the chair-bound scientist being a "stand-up comedian."

Davros: As good as Colin Baker is, this story truly belongs to Terry Molloy's Davros. Though we're never fooled into thinking that he has changed, the first half of the serial does seduce us into empathizing with him, if only a little. In flashbacks, we hear the "human" Davros, before the explosion that crippled him. He seems to be a very normal man. In another flashback, we hear his horror just after the explosion as he views his savagely burned face. Meanwhile, in the story's present, he is contemplative. He insists to the Doctor that he believes he can change, and he may even be sincere in his desire to change.

Then the second half reminds us of his evil. The flashbacks become darker, and we see that he was a monster long before his exterior was burned and scarred to make his nature visible. We get as much of a look into his psyche as a Doctor Who adventure story can allow, and what we see is pathetic. Davros is a "spoiled child" who cannot stand the idea of competition, who only feels powerful when he uses his genius to destroy. "There can never be too much destruction!" he declares. As we hear him giggling even while listening to the dying moans of his latest victims, we realize that he means it.


THOUGHTS

Davros is a genuinely great audio story, one of the best of Big Finish Production's entire Doctor Who range. It's a long story, taking up the entire length of the two cd's it occupies. A full 150 minutes. But it's compelling. It would be a disservice to say that the story goes by in an eyeblink while listening. Time actually stops while listening to this story, a story which envelopes the listener in its world and its narrative.

Lance Parkin was one of the best writers of the Doctor Who book range, which makes it surprising that he's only written a couple of stories for Big Finish. He's done superb work here. Given the assignment to write a story for Davros without the Daleks, he draws on the background given the character in his televised stories and fills in the blanks. Flashbacks show us the war-torn Skaro that was the only home Davros ever knew, the harsh conditions of which molded him into the man he became.

Credit must be given to Jim Mortimore's sound design. A story which mixes past and present must always take particular care to differentiate the two. That's even true of visual works, let alone on audio. The production team use the Dalek "strobe" to identify the flashbacks. Every time Davros recalls his time on Skaro, that sound plays constantly in the background. That and a faint echo lend a feeling of unreality to the scenes in the past, while transitions between the flashbacks and the present are extremely well-judged.

Though superb, Davros is not flawless. There's a subplot involving Willis (Eddie de Oliveira), an investigative journalist following up on information about TAI. Willis is a weak character, effortlessly outclassed by the heavyweight cast surrounding him. He exists to provide an excuse for the Doctor's presence at TAI when Davros arrives. Better if the Doctor had just been there by chance; I can't really picture him being concerned with the petty day-to-day skullduggery of corporations.

Despite the misjudged Willis subplot, Davros is one of Big Finish's masterpieces. Wonderfully acted, particularly by Colin Baker and Terry Molloy, and boasting a compelling script, this is one of a handful of audio Who stories I'd comfortably refer to as "a classic."


Rating: 10/10.

Previous Television Story: The Two Doctors
Next Television Story: Timelash

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Thursday, December 30, 2010

Doctor Who - Big Finish Monthly Adventures: 2005 - 2007.

CD cover for Red.

2005 Releases:
66. The Game
Set after Time-Flight and follows Creatures of Beauty.
Release Date: February 2005

70. Unregenerate!
Set between Time and the Rani and Paradise Towers.
Release Date: June 2005

2006 Releases:
85. Red
Set between Time and the Rani and Paradise Towers.
Release Date: August 2006

Doctor Who - Big Finish Monthly Adventures: 2002 - 2004.

CD cover for Invaders from Mars.

2002 Releases:
28. Invaders from Mars
Set after The TV Movie and follows Minuet in Hell.
Release Date: January 2002

29. The Chimes of Midnight
Set after The TV Movie and follows Invaders from Mars.
Release Date: February 2002

34. Spare Parts
Set after Time-Flight and follows Primeval.
Release Date: July 2002

39. Bang-Bang-a-Boom!
Set between Paradise Towers and Delta and the Bannermen.
Release Date: December 2002

2003 Releases:
44. Creatures of Beauty
Set after Time-Flight and follows Spare Parts.
Release Date: May 2003

48. Davros
Set between The Two Doctors and Timelash.
Release Date: September 2003
Next: Monthly Adventures, 2005 - 2007 (not yet posted)

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Doctor Who - Big Finish Monthly Adventures: 1999 - 2001.

CD cover for The Land of the Dead.

2000 Releases:
4. The Land of the Dead
Set between Time-Flight and Arc of Infinity.
Release Date: January 2000

10. Winter for the Adept
Set after Time-Flight and follows The Land of the Dead.
Release Date: July 2000

12. The Fires of Vulcan
Set between Delta and the Bannermen and Dragonfire.
Release Date: September 2000

15. The Mutant Phase
Set after Time-Flight and follows Winter for the Adept.
Release Date: December 2000

2001 Releases:
16. Storm Warning
Set after The TV Movie.
Release Date: January 2001

17. Sword of Orion
Set after The TV Movie and follows Storm Warning.
Release Date: February 2001

18. The Stones of Venice
Set after The TV Movie and follows Sword of Orion.
Release Date: March 2001

19. Minuet in Hell
Set after The TV Movie and follows The Stones of Venice.
Release Date: April 2001

26. Primeval
Set after Time-Flight and follows The Mutant Phase.
Release Date: November 2001

Next: Monthly Adventures, 2002 - 2004

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